Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Simone Peterzano
Still-Life of Figs
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ID: 86615

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Simone Peterzano Still-Life of Figs


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Simone Peterzano

(c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).   Related Paintings of Simone Peterzano :. | Still-Life of Figs | Still-Life of Squash | Peapods and Cherries | Still-Life of Figs | Still-Life of Squash, Lilies, Peaches, and Pears |
Related Artists:
Frederic Auguste Bartholdi
French Sculptor, 1834-1904,was a French sculptor. He is also known as Amilcar Hasenfratz, a pseudonym used for his paintings of Egyptian subjects, apparently because of concern that his work in another medium would distract from his sculpture. Born in Colmar, Alsace, Bartholdi went to Paris to further his studies in architecture as well as painting. Then he made a long trip to Egypt and Yemen, where he heard about the Suez project. He came back to his native city to become an architect. Bartholdi was a freemason, he was initiated on October 14, 1875 in the lodge LeAlsace-Lorraine, Grand Orient of France.
George Caleb Bingham
1811-1879 George Caleb Bingham Gallery George Caleb Bingham (March 20, 1811 ?C July 7, 1879) was an American artist, whose work depicted his view of American life in the frontier lands along the Missouri River. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s and he is now widely considered one of the greatest American painters of the 1800s. Born in Augusta County, Virginia, Bingham was the second of seven children born to Henry Vest Bingham and Mary Amend. Upon their marriage, Matthias Amend, Mary's father, gave ownership to the family mill, 1,180 acres of land and several slaves to Henry with the agreement that Matthias could live with the family the rest of his life. Henry offered the land and mill as surety for a friend's debt and, when the friend died in 1818, all was lost. George's family soon moved to Franklin, Missouri "where the land was said to be bountiful, fertile and cheap." Bingham was a self-taught artist. His sole childhood exposure to the field was as a nine-year-old boy, when famed American portraitist Chester Harding visited Franklin looking for business, having recently sketched Daniel Boone in Warren County, Missouri. George assisted Harding during his brief stay, an experience that left a powerful impression. In 1823, Bingham's father, now judge of Howard County Court, died of malaria on December 26 at the age of thirty-eight. To keep the family going, Mary Bingham opened a school for girls and George, then twelve, worked as school janitor to help keep the family afloat. At age sixteen, Bingham apprenticed with cabinet maker Jesse Green. After Green moved, he apprenticed with another cabinet maker, Justinian Williams. Both tradesmen were Methodist ministers and, while under their tutelage, Bingham studied religious texts, preached at camp meetings and thought about becoming a minister himself. Bingham also considered becoming a lawyer. However, by age nineteen, Bigham was painting portraits for $20.00 apiece, often completing the works in a single day. He drummed up work in both Franklin and Arrow Rock and, while his painting abilities were still developing, succeeded in impressing his patrons with his strong draftsmanship and ability to capture the likeness of his subject. Soon Bingham attempted to travel to St. Louis to ply his trade but contracted measles, which left him weak and permanently bald. In 1836, Bingham married Sarah Elizabeth Hutchison, who bore him three children over the subsequent twelve years before dying at the age of twenty-nine. George married twice more, first to Eliza Thomas, who died in a mental institution in 1876, and then to Martha Lykins, who lived until 1890. George's mother, Mary, died in 1851. By 1838, Bingham was already beginning to make a name for himself as a portrait artist in St. Louis, his studio visited by several prominent local citizens and statesmen, including the lawyer James S. Rollins who was to become a life-long friend. To further his education, George spent three months in Philadelphia, Pennsylvania before continuing on to New York City to visit the National Academy of Design exhibition. Bingham was elected to the Missouri General Assembly in 1848. From 1856 to 1859, Bingham studied art with the members of the D??sseldorf School in D??sseldorf, Germany. Critics claim that this caused him to abandon the rustic American style in his art. Upon his return, he began painting less, turning to politics in the post-Civil War years and serving as state treasurer and adjutant general. He was also president of the Board of Police Commissioners for Kansas City, Missouri in 1874, appointing the first chief of police there . Toward the end of his life he was a professor of art at the University of Missouri in Columbia, Missouri.
After Francisco de Goya
Francisco Jose de Goya y Lucientes (30 March 1746 - 16 April 1828) was a Spanish romantic painter and printmaker regarded both as the last of the Old Masters and the first of the moderns. Goya was a court painter to the Spanish Crown, and through his works was both a commentator on and chronicler of his era. The subversive and imaginative element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet, Picasso and Francis Bacon.






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